NZVRSU

EUQG

Is Poetry Dangerous? Plato’S Philosophy Of Art

Di: Henry

A passage in Plato’s Laws (719c) offers a fresh look at Plato’s theory of poetry and art. Only here does Plato call poetry both mimêsis “imitation, representation,” and the product of enthousiasmos “

Is Poetry Dangerous? Plato’s Philosophy of Art | TheCollector

Discusses the mimetic theory of art, which posits art as an imitation of life or reality. This theory, rooted in ancient philosophies by Plato and Aristotle, explores noted that some of the idea that art reflects universal truths through its imitation of the natural world, differing in their views on the value and purpose of such imitation.

Before examining Plato’s ideas, we should say something about the nature of Greek visual art and also traditional Greek ideas about the poet, poetry in ancient and education. In developing his own ideas, Plato was responding to both. To begin with, Greek visual art was unique in the ancient world.

Plato and Aristotle on Drama and Theatre

The paper argues that Plato’s critical view on poetry denies tradition and its role, while tradition only stores ‘folk wisdom.’ In fact, Plato’s clear distinction between poetry (doxa) and philosophy (truth) represents the birth of an analytical perspective on poetry, seen as a particular cultural phenomenon. At the same time, like many philosophers Aristotle clearly believes that when it comes to grasping truth, philosophy is superior to poetry. It is often noted that some of Plato’s philosophical predecessors, such as Xenophanes and Heraclitus, did direct rather severe criticisms against poets (including Homer and Hesiod). 5.

Plato illustrates that mimesis is an emulation of the natural world. This paper discusses Plato’s views on imitation in both art and actual human conduct, while attempting to find the relationship between the two forms of imitation. Specifically, it will examine the similarities and differences between these two types of imitation. If aesthetics is the philosophical inquiry into art and beauty (or a contemporary surrogate for beauty, e.g. aesthetic value), the striking many other cases he sets feature of Plato’s dialogues is that he devotes as much time as he does to both topics and yet treats them oppositely. Art, mostly as represented by poetry, is closer to a greatest danger than any other phenomenon Plato speaks Plato’s influence on western culture generally is a very strong one, and this includes a strong influence on the arts, and on theories of art. In the case of the arts and aesthetic theory that influence is mostly indirect, and is best

Philosophy: Plato and Art In Plato’s Republic, the philosopher has a great deal to say about art, poetry and how these activities are connected. Plato’s perspective on art and poetry is actually somewhat negative; he believes that an overemphasis on artistic expression can be bad for politics and society. According to Plato, the theory of Forms has a profound effect on Conclusion Understanding Plato’s Ion Plato’s Ion is the Greek philosopher’s shortest dialogue and truly one of his weirdest texts. There, Ion a professional reciter of epic poetry debates the Greek philosopher Socrates on the nature of art. For Plato’s aesthetic philosophy as presented in Ion, art is divine inspiration. Abstract This paper discusses the concept of imitation in Plato and Aristotle. Plato and Aristotle argue that artist (Demiurge) and poet imitate nature, thus, a work of art is a relection of nature.

Summary Plato’s philosophical stance was that theatre is an imitation of reality, which can deceive and mislead audiences. He critiqued theatre for its potential to morally corrupt individuals and society as a whole. Despite his skepticism, dialogue and dramatic techniques in his own works have had a lasting impact on both theatre and philosophy. Art often tries to imitate reality. But what if that replication is vacuous or even harmful? Learn about the meaning of images, from Plato’s Cave to Baudrillard’s simulacra.

What did Plato say about theatre?

  • Plato’s Ion: Insights and Analysis
  • Plato on Art and Reality on JSTOR
  • Plato’s Theories of Art

Plato’s discussions of rhetoric and poetry are both extensive and influential. As in so many other cases, he sets the agenda for the subsequent tradition. And yet understanding his remarks about each of these topics—rhetoric and poetry—presents us with significant philosophical and interpretive challenges. In my Philosophy of Art course, we are discussing Plato’s philosophy Art often tries to imitate of art, by means of selections from Statesman and Books 3 and 10 of The Republic, along with snippets from Ion, Phaedrus, and Symposium. In The Literary Criticism of Plato By NASRULLAH MAMBROL on May 1, 2017 • ( 11 ) Plato was the most celebrated disciple of Socrates. By his time the glory of Athenian art and literature, illustrated in the works of artists like Phidias

Is Poetry Dangerous? Plato’s Philosophy of Art

Plato sowed the seeds of Western art theory. His brief discussions on the topic, spread throughout his dialogues, give us a glimpse into his ideas. On one hand, these ideas can seem incomplete, fragmented, or even confusing. On the other hand, they can be strikingly profound and thought provoking. Regardless, one thing that Plato’s art theory is not To Plato the general philosophical principle behind all art was Mimesis, that is art including poetry and theatre was an imitation or a representation of reality, not reality itself, but an illusion, a mirror of something else and therefore deceptive. Socrates’ Philosophy And Art: The Origins Of Ancient Aesthetic Thought The Western philosophical tradition is profoundly indebted to Socrates’ philosophy, while his lesser-known and surprising take on poetry and drama have influenced artists since antiquity.

H. S. Thayer, Plato on the Morality of Imagination, The Review of Metaphysics, Vol. 30, No. 4 (Jun., 1977), pp. 594-618

  • Plato on Rhetoric and Poetry
  • Plato on the Morality of Imagination on JSTOR
  • Socrates’ Philosophy And Art: The Origins Of Ancient
  • Plato’s Banishment of Poetry on JSTOR
  • Plato’s Argument: Art is an Imitation of an Imitation

His general philosophical reviews sublimating his philosophical ideas, which arise on the basis of the idea, as an alpha and omega of every human been in the world, took Plato away from poetry by PHILOSOPHICAL PERSPECTIVES ON ART Art as an Imitation Plato (2000) in his masterpiece, The Republic, similarities and differences between particularly paints a picture of artists as imitators and art as mere imitation. In his description of the ideal republic, Plato advises against the inclusion of art as a subject in the curriculum and the banning of artists in the Republic. In Plato’s metaphysics or view of reality,

Plato’s Apology of Socrates is one of the greatest speeches in the history of mankind. It shows an Imitation Plato 2000 in Socrates’ personality and humour, as well as being a meditation on justice and honesty.

Art as a Representation Aristotle, Plato's most important student in philosophy, agreed with his teacher that art is a form of imitation. However, in contrast to the disgust that his master holds for art, Aristotle considered art as an aid to philosophy in revealing truth.

Famous philosopher Plato didn’t look too fondly on art or poetry, believing that all art is simply a reflection of an illusion or shadow of true reality. Plato’s philosophical views have strongly influenced western culture, especially on the subject of art. He contributed much to the development of western art especially on theories of art. Maxwell Anderson’s Contribution in Modern American Verse Drama Ammar Shamil Al Khafaji (PhD) Department of English, College of Arts, University of Baghdad. [email protected] Abstract Maxwell

Charles Karelis, Plato on Art and Reality, The Journal of Aesthetics and Art Criticism, Vol. 34, No. 3 (Spring, 1976), pp. 315-321 Plato’s skepticism of art influenced later philosophical discourse on aesthetics. Aristotle’s Poetics laid the groundwork for literary criticism and the study of drama. he did Certainly there are other sources for Plato’s view: his metaphysics leads him to treat all mimesis, all representation, as a movement away from genuine reality into illusion and his view of the didactic effect of art makes him disapprove of the content of much epic and dramatic poetry.

Plato’s Greatest Accusation against Poetry – Volume 9These distinctions between ontological and veridical falsehood are, of course, mine and not Plato’s. I do not mean to imply that he did, or would have wanted to, make them. They can, however, help us to focus more clearly on his own distinction between appearance and reality as it concerns works of art.

Discover Aristotle on art continues to shape our understanding of creativity and the human experience until the present times. Plato’s discussions of rhetoric and poetry are both extensive and influential. As in so many other cases, he sets the agenda for the subsequent tradition. And yet understanding his remarks about each of these topics—rhetoric and poetry—presents us with significant philosophical and interpretive challenges.